Two Artists’ Previews and an Award

Last week, Andrew attended the Artists’ Previews for the ING Discerning Eye Exhibition at the Mall Galleries, as well as the final selection of works from The National Open Art Competition (NOAC) at The BargeHouse, Southbank.

ING Discerning Art – Artists Preview
Artist, Gavin Turk’s speech and awards at the NOAC 2017

Both exhibitions include works from a broad range of mediums and this definitely adds to their dynamics, providing the visitor with a rich and varied experience, and we were pleased to see that both previews were very well attended.

At the Discerning Eye Exhibition, if successful in getting work accepted, one can then look forward to visiting and discovering which selector has chosen the pieces and how these are displayed. It is always intriguing and, this year, two sketches, ‘Taya’ and ‘Auba’, were selected by one of the collectors, Ellen Bertrams whilst the artist, Anne Magill, chose Andrew’s piece ‘Untitled figure (sketch 01A)’.

ING Discerning Eye – selection from Art Critic – Ellen Betrams
ING Discerning Eye – Selection from Artist – Anne Magill

Interestingly, Discerning Eye are one of the few shows who do not advise the artists of any awards prior to the exhibition, therefore, Andrew was equally surprised and delighted to discover that his ‘Study of Taya’ had been selected for the ‘London and South East Regional Prize’.  He’s extremely honoured to have had his work chosen from so many very accomplished pieces.

Taya sketch- Oil on paper – 41cm x 31cm SOLD

Inevitably, the diversity of work provides an inspiring environment. The artists enjoy meeting up at these events: the chance to celebrate all their hard work – often undertaken in isolation – allows for an exchange of experiences and much discussion on the work, the process and their frustrations!  It is a great opportunity to encourage the further development of their skills and ideas.

The paintings Andrew has been exhibiting in these two shows are representational studies of individual subjects. Each piece is based on his intuitive observations where he explores these ideas in the application and painting techniques. On close inspection, the hand of Andrew’s work is evident in all these paintings. However, where the execution is looser and less finished in the study pieces – shown here in his human figurative work – by their nature these become more enigmatic. Andrew hopes to achieve an ambiguity in the sketches; his aim is to examine our initial reactions to any of his figurative work. How we view aesthetic elements and respond differently are key elements in Andrew’s process which he constantly refers back to, in particular, considering the role of context.

The 21st NOAC venue this year is fabulous. Laid out over several floors, each space has an individual style and the excellent hanging of pieces most certainly deserves a mention. Alongside the show they are running a range of very interesting events and workshops throughout the week. Andrew’s ‘Lemon Meringue’ is beautifully displayed alongside ‘Pear’ by Tif Hunter, ‘Dusk I and II’ by Grace Ayson, ‘Forest Trail 1’ by Belinda Bailey and two small oil painting on boards by Fiona Bradford to name just a few, but there really is so much more to see here.

Andrew Holmes painting of ‘Lemon Meringue’ shown hanging in Room 7 at the BargeHouse Gallery

A particularly special element of the NOAC is the Under 16’s category. There are few opportunities for this age group to participate alongside the major shows and the artwork selected is quite remarkable, beautifully observed and utterly charming.

NOAC Small selection of Under 16’s Category
‘Pearl’ by Molly Bulmer aged 12 yrs and ‘Tiger’ by Claudia Scholes aged 4 yrs.

The Graduate Prize went to Harriet Fawcett for her Photographic piece ‘Ersatz 2017’, a focus on the decline of the bumblebee and this was very well deserved.

Entrance to each of these venues is free and they are well worth visiting as the work available to view has been selected by panels of accomplished artists, gallerists, collectors and critics, and is easily comparable with the exhibits in the RA Summer Show – a view supported by the critic, Simon Tait (please see links below).

However, there are only a few days remaining to visit these exhibitions as the two shows will be closing at 5pm on Sunday 26th November.

For Further information please see –

For Ing Discerning Eye Exhibition 2017:

www.discerningeye.org/index.php

Video Link  www.discerningeye.org/archive/2017/2017_11.php?vdo=1

For The 21st National Open Art Competition (NOAC)

www.nationalopenart.org/gallery.php?2017-Exhibition-15

To visit Andrew B Holmes website, please see: 

www.andrewholmes.co.uk

Contact: info@andrewholmes.co.uk

© Andrew B Holmes 2017. All Rights Reserved.

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New work with Panter and Hall

Three new figurative studies have been selected by Panter and Hall for this year’s Autumn Affordable Art Fair, (AAF). Held in Battersea Park, the show will open with a Charity Private View in the evening on Wednesday 18th Oct 2017.

Andrew Holmes – untitled_figure18 – Oil on Paper 41cm x 31cm
Andrew Holmes – figure16 – Tia – Oil on Paper – 31cm x 23cm

The autumn is often a busy time for Andrew, with several interesting exhibitions coming up and he is delighted to have some of his newer figurative pieces showing with Panter and Hall at this fair.

Andrew Holmes – Eva – Oil on Paper 41cm x 31cm

The AAF officially opens to the public at Battersea Evolution in Battersea Park on Thursday 19th Oct, and runs until Sunday 22nd Oct 2017.  Please see below for further details.

The main gallery for Panter and Hall is based in Central London.

 Panter and Hall
11-12 Pall Mall, London, SW1Y 5LU,

Contact details – Tel:+44 (0) 20 7399 9999  or  email:enquiries@panterandhall.com

For more information regarding work showing with Panter and Hall at this year’s Affordable Art Fair please see:

www.panterandhall.com/exhibition/battersea-autumn-aaf

For information regarding the AAF at Battersea with dates and opening times:

www.affordableartfair.com/fairs/battersea-autumn

 

To visit Andrew B Holmes website, please see: 

www.andrewholmes.co.uk

Contact: info@andrewholmes.co.uk

© Andrew B Holmes 2017. All Rights Reserved.

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The Discerning Eye Exhibition – 2017

The selection process for this year’s Discerning Eye Exhibition is now complete and Andrew is delighted that he will have three new paintings included in the show. Sponsored by ING, this is a show of small works in various mediums and is always very exciting.

All three pieces to be included in this year’s hanging represent more of Andrew’s figurative work; an area within which he is keen to further develop fresh ideas and techniques.

Taya sketch- Oil on paper – 41cm x 31cm SOLD

It is always a daunting prospect for an artist to offer up their paintings for judgement in the public sphere. However, as mentioned in previous posts, submitting work into a show can, in fact, be a useful tool for an artist to gauge reaction, and where this exhibition differs is that the broad variety of curators also put together their own individual selections further contributing to the  show’s vibrancy and variation.

sketch 01A – Oil on paper – 41cm x 31cm

Andrew wanted these new works to be muted and uncomplicated. The more monochromatic approach of these images simplifies the decision-making process; where he can focus on the application of the paint, the marks and the tone and by using a limited palette, Andrew is able to concentrate more on the physical aspect of painting.

The Exhibition takes place in November at the Mall Galleries in Central London.

On their website, Discerning Eye says:

“The Discerning Eye annual exhibition is a show of small works independently selected by six prominent figures from different areas of the art world: two artists, two collectors and two critics. […]

The selectors choose both publicly submitted works and works by personally invited artists. Each selector’s section is hung separately to give each its own distinctive identity. The impression emerges of six small exhibitions within the whole. […]

The open submission provides an unusual opportunity for works by lesser-known artists to be hung alongside contributions from internationally recognised names. Each selector is solely responsible for their own selection, not by committee and are required to select at least 25% of their section from the open submission.”

Auba – oil on paper – 41cm x 31cm

This year’s selectors are:

Artists: Elmo Hood and Anne Magill, Collectors: Ellen Bertrams and Miranda Richardson and Critics: Nicola Coleby and Simon Tait.

The 2017 Discerning Eye Exhibition will be open to the public from Thursday 16 November until Sunday 26 November, between 10am and 5pm daily, at the Mall Galleries, The Mall, London SW1. Admission will be free and all the works will be for sale.

We now have to wait for the show to open in November to find out who has selected Andrew’s work for their wall in this year’s exhibition.

For more information regarding the Discerning Eye Exhibition,

please see: http://www.discerningeye.org/exhibition

To visit Andrew B Holmes website, please see: 

www.andrewholmes.co.uk

Contact: info@andrewholmes.co.uk

© Andrew B Holmes 2017. All Rights Reserved.

 

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The Pose: Recent Life Sketches

Over the past few months, Andrew Holmes has been further developing his figure drawings.

Andrew B Holmes – Life sketch – 01_4
ABHolmes_01_6_sketch

When possible, Andrew enjoys joining a life drawing group as this provides an opportunity to share the same space and ideas with other artists.

Based in West London, the sessions attract an eclectic and multinational group of people from a wide variety of professions and backgrounds. All have varied styles and skills and nobody is there to cast judgement.

ABHolmes_02_1_sketch

Short five or ten minute poses start the evening off, allowing the artists to focus.  Andrew says it is helpful initially to look for the basic shapes when time is limited. These are very useful short studies and frequently this time restriction can produce livelier work than the longer thirty-minute sessions.

ABHolmes_02_6_sketch

In addition, models can adopt more challenging poses over a short period without drifting from their initial position; holding a physical shape over a half hour requires a sitter to have considerable stamina and the artists appreciate this.

AHsketch211
ABHolmes_03_11_sketch

Some models are students or budding actors who use the sessions to help build confidence, but others choose to sit for drawing purely because they share an interest in art.

ABHolmes_a2_01c_sketch

 

ABHolmes_02_5_sketch

Andrew’s practice is centred on an interest in painting and a curiosity in how contextualisation influences our perception and intellectual judgement of art.

      These sketches form part of the preparatory work he hopes to discuss in more depth soon.

To visit Andrew B Holmes website, please see : 

http://www.andrewholmes.co.uk

Contact: info@andrewholmes.co.uk

© Andrew B Holmes 2017. All Rights Reserved.