Two Artists’ Previews and an Award

Last week, Andrew attended the Artists’ Previews for the ING Discerning Eye Exhibition at the Mall Galleries, as well as the final selection of works from The National Open Art Competition (NOAC) at The BargeHouse, Southbank.

ING Discerning Art – Artists Preview
Artist, Gavin Turk’s speech and awards at the NOAC 2017

Both exhibitions include works from a broad range of mediums and this definitely adds to their dynamics, providing the visitor with a rich and varied experience, and we were pleased to see that both previews were very well attended.

At the Discerning Eye Exhibition, if successful in getting work accepted, one can then look forward to visiting and discovering which selector has chosen the pieces and how these are displayed. It is always intriguing and, this year, two sketches, ‘Taya’ and ‘Auba’, were selected by one of the collectors, Ellen Bertrams whilst the artist, Anne Magill, chose Andrew’s piece ‘Untitled figure (sketch 01A)’.

ING Discerning Eye – selection from Art Critic – Ellen Betrams
ING Discerning Eye – Selection from Artist – Anne Magill

Interestingly, Discerning Eye are one of the few shows who do not advise the artists of any awards prior to the exhibition, therefore, Andrew was equally surprised and delighted to discover that his ‘Study of Taya’ had been selected for the ‘London and South East Regional Prize’.  He’s extremely honoured to have had his work chosen from so many very accomplished pieces.

Taya sketch- Oil on paper – 41cm x 31cm SOLD

Inevitably, the diversity of work provides an inspiring environment. The artists enjoy meeting up at these events: the chance to celebrate all their hard work – often undertaken in isolation – allows for an exchange of experiences and much discussion on the work, the process and their frustrations!  It is a great opportunity to encourage the further development of their skills and ideas.

The paintings Andrew has been exhibiting in these two shows are representational studies of individual subjects. Each piece is based on his intuitive observations where he explores these ideas in the application and painting techniques. On close inspection, the hand of Andrew’s work is evident in all these paintings. However, where the execution is looser and less finished in the study pieces – shown here in his human figurative work – by their nature these become more enigmatic. Andrew hopes to achieve an ambiguity in the sketches; his aim is to examine our initial reactions to any of his figurative work. How we view aesthetic elements and respond differently are key elements in Andrew’s process which he constantly refers back to, in particular, considering the role of context.

The 21st NOAC venue this year is fabulous. Laid out over several floors, each space has an individual style and the excellent hanging of pieces most certainly deserves a mention. Alongside the show they are running a range of very interesting events and workshops throughout the week. Andrew’s ‘Lemon Meringue’ is beautifully displayed alongside ‘Pear’ by Tif Hunter, ‘Dusk I and II’ by Grace Ayson, ‘Forest Trail 1’ by Belinda Bailey and two small oil painting on boards by Fiona Bradford to name just a few, but there really is so much more to see here.

Andrew Holmes painting of ‘Lemon Meringue’ shown hanging in Room 7 at the BargeHouse Gallery

A particularly special element of the NOAC is the Under 16’s category. There are few opportunities for this age group to participate alongside the major shows and the artwork selected is quite remarkable, beautifully observed and utterly charming.

NOAC Small selection of Under 16’s Category
‘Pearl’ by Molly Bulmer aged 12 yrs and ‘Tiger’ by Claudia Scholes aged 4 yrs.

The Graduate Prize went to Harriet Fawcett for her Photographic piece ‘Ersatz 2017’, a focus on the decline of the bumblebee and this was very well deserved.

Entrance to each of these venues is free and they are well worth visiting as the work available to view has been selected by panels of accomplished artists, gallerists, collectors and critics, and is easily comparable with the exhibits in the RA Summer Show – a view supported by the critic, Simon Tait (please see links below).

However, there are only a few days remaining to visit these exhibitions as the two shows will be closing at 5pm on Sunday 26th November.

For Further information please see –

For Ing Discerning Eye Exhibition 2017:

www.discerningeye.org/index.php

Video Link  www.discerningeye.org/archive/2017/2017_11.php?vdo=1

For The 21st National Open Art Competition (NOAC)

www.nationalopenart.org/gallery.php?2017-Exhibition-15

To visit Andrew B Holmes website, please see: 

www.andrewholmes.co.uk

Contact: info@andrewholmes.co.uk

© Andrew B Holmes 2017. All Rights Reserved.

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21st National Open Art Exhibition – 2017

Andrew is very pleased to hear that a still life he painted earlier this year – ‘Portrait of a Lemon Meringue’  – is to be included in the NOA, (National Open Art), 2017 Exhibition.

Professional and amateur artists aged 15 and over have submitted works in a variety of mediums and each entry has been judged anonymously, making the competition one of the most democratic in the UK and Ireland operating today.

Overall, this exhibition has a strong contemporary style. However, more conventional pieces sit well within the show.  This diversity in the range of works selected provides an interesting view on where the process of combining traditional techniques with a more explorative approach can offer new ideas. Bridging these areas of study has always held Andrew’s interest, when developing his abstract, figurative and still life pieces.

Portrait of a Lemon Meringue – 60cm x 60cm – Framed SOLD

The finalists works will now go on to be exhibited in the 21st National Open Art Exhibition at The Bargehouse Galleries, Oxo Tower Wharf on Southbank in London this Autumn.

The Oxo Tower Wharf is an award-winning, landmark building situated on the riverside walkway part of London’s fast moving South Bank and Bankside areas. This vast, untouched four-storey industrial building is a wonderful destination – home to over 30 innovative contemporary design studios, shops, cafés, bars and restaurants with breathtaking river views – and so well worth exploring.

Bargehouse -Oxo Tower

A programme of events will be taking place during the exhibition with collaborations between NOA Vice President Gavin Turk and Deborah Turk’s House of Fairy Tales along with Be Smart About Art, Explore Learning and more to be announced.

The 21st National Open Art Exhibition opens at the Bargehouse Galleries,  Oxo Tower Wharf Southbank London | 17 – 26 November 2017.

To view more of the works in the exhibition, please see: http://www.nationalopenart.org/gallery.php?2017-Exhibition-15

Andrew Holmes – Portrait of a Lemon Meringuehttp://www.nationalopenart.org/gallery2.php?as=1&Portrait-of-Lemon-Meringue-22969

 

To visit Andrew B Holmes website, please see: 

www.andrewholmes.co.uk

Contact: info@andrewholmes.co.uk

© Andrew B Holmes 2017. All Rights Reserved.

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A Tarte and some Cherries at the Frivoli Gallery

A new series of cherry paintings by Andrew Holmes together with tarte au fraise completed earlier in the year helped to set this years festive scene.

In the busy rush up to Christmas, the window at the Frivoli Gallery, located in the popular Devonshire Terrace area of Chiswick, West London – mentioned in earlier posts – was decorated with a seasonal theme of rich reds, golds and burgundy hues. We were very happy to supply a selection of Andrew’s still life paintings to help create this years theme.

morning cherries - 33 x 46cm - oil on canvas (Sold)
morning cherries – 33 x 46cm – oil on canvas (Sold)
cherries row - 33 x 46cm - oil on canvas (sold)
cherries row – 33 x 46cm – oil on canvas (sold)
cherries 02 - oil on canvas - 40 x 40cm
cherries 02 – oil on canvas – 40 x 40cm

The cherry subjects were drawn from a variety of compositions, and include studies on both canvas and paper – framed behind glass. As a small body of works, these paintings provide an opportunity to create partner pieces and to explore more individual studies within the collection as a whole.

tarte au fraise - 40 x 50cm - oil on Canvas
tarte au fraise – 40 x 50cm – oil on Canvas

Tarte au fraise set a vibrant coloured focal point which certainly drew the eye.

To see Andrew’s work displayed in a gallery window is always a huge complement and we understand that the paintings have been well received.

cherries 01 - 40 x 40cm - oil on canvas
cherries 01 – 40 x 40cm – oil on canvas

For more information regarding any of Andrew Holmes work currently showing with the Gallery, please follow the link to the Frivoli Gallery : http://www.frivoligallery.com/andrew_holmes.php

To visit Andrew B Holmes website, please see: 

www.andrewholmes.co.uk

Contact: info@andrewholmes.co.uk

© AB Holmes 2017, All rights reserved.

 

 

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What’s in a name

I am a doughnut –

Food and cake paintings provide a rich source of inspiration and this subject is where Andrew Holmes is perhaps better known.

Whilst Andrew plans a series of paintings under an initial group title, it is  during the process where he then determines how this will be reflected and when individual titles are attributed.

a rose is a rose is a doughnut -122 x 152 cm - Oil on canvas
a rose is a rose is a doughnut -122 x 152 cm – Oil on canvas

Continue reading What’s in a name

Art Basel – Miami

Some of Andrew Holmes – ‘Eating Pieces’

The first week in December saw the start of Art Basel, the largest annual Art event in Miami.

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‘Songs of Innocence’  – AB Holmes – Oil on Canvas, 122cm x 152cm

 In late 2012, the Unix Gallery, based in the lively Wynwood Arts District, approached Andrew and asked if they could commission a group of larger paintings of pastries.  Over several months he produced a selection of Andrew Holmes –‘Eating Pieces’ and a consignment was flown out to Unix for a solo show in May 2013.

These will remain with the gallery until June 2014, when they return to the UK.

AH_Unix381

 

We visited the Gallery and met the Unix Gallery’s Miami based Curator, last summer.

The Urban area where the Gallery is positioned exhibits a huge range of artworks and Andrew’s paintings hung at Unix alongside the works of Marcello Lo Giudice, Ingrid Dee Magidson, Alexi Torres and Desire Obtain Cherish, (DOC).

 
holmes018holmes002

‘the promise of things to come’ –122 x 152cm and a smaller painting ‘tart’ – 41 x 51cm

We were told that Miami fills up with very interesting  people during Art Basel and the Wynwood Arts District attracts visitors from a diverse community of artists and collectors.

 

Unix relocated their main Gallery space to Chelsea, New York in late 2013.

Untitled

‘it didn’t have to be like this’ – AB Holmes –  Oil on Canvas, 122cm x 152cm

In early 2014, The Unix Gallery profiled Andrew Holmes work on their Artsy pages, alongside the 3 dimensional pieces by Peter Anton and DOC, in an editorial post named ‘Art to satisfy your Sweet Tooth’ where they discuss the Unix Gallery’s interest in contemporary views of food and art.

This is an exert from this Unix Artsy post together with a link below to their full editorial listings:

“Inspired by human nature and the sensory experience of consuming sweets, Andrew Holmes paints images of doughnuts, cakes, and strawberry-topped pastries with skilled hyperrealism. Through dexterous brushstrokes and an adept handling of paint, he transforms decadent food items into objects of desire, intrigue, and nostalgia. In a work where he depicts a stack of doughnuts oozing jelly, the implied associations with gluttony and decadence are forgotten due to his inspired treatment of color, light, and negative space.”

Editorial by Alex Cesaria.

http://www.artsy.net/unix-gallery/posts

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Cake or Death‘ * – Oil on Canvas 81cm x 102cm  
* The title, ‘Cake or Death’ was inspired from a sketch by the comedian and actor Eddie Izzard, please see: http://www.youtube.com/watch?v=rZVjKlBCvhg
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To visit Andrew B Holmes website, please see: 

www.andrewholmes.co.uk

Contact: info@andrewholmes.co.uk

 

© AB Holmes 2014.  All Rights Reserved.

 

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